Last modified 6 Sep 2024
Publications (1986-2024)
An overview of publications of researchers from the Music Cognition Group.
2024
Bouwer, F. L., Háden, G. P., & Honing, H. (2024). Probing Beat Perception with Event-Related Potentials (ERPs) in Human Adults, Newborns, and Nonhuman Primates. In Advances in Experimental Medicine and Biology (pp. 227–256). Springer International Publishing.
DOI
10.1007/978-3-031-60183-5_13
Burgoyne, J. A., & Honing, H. (2024). Rasch models for quantifying the strength of musical memory and the feeling of knowing. https://sites.google.com/york.ac.uk/escom12/home
Corcoran, K., du Mérac, T. R., Johnson, F., Burgoyne, J. A., Honing, H., Ruderfer, D. M., Lense, M., & Gordon, R. L. (2024). Linking a musical memory gamified task to large-scale health data via electronic health records: A feasibility study in a clinic waiting room. https://neuromusic.fondazione-mariani.org
Háden, G. P., Bouwer, F. L., Honing, H., & Winkler, I. (2024). Beat processing in newborn infants cannot be explained by statistical learning based on transition probabilities. Cognition, 243, 105670.
DOI
10.1016/j.cognition.2023.105670
Hiemstra, A., & Sadakata, M. (2024). Sentences used in the speech-to-song illusion: Comparisons of acoustic vowel space. Musicae Scientiae, 28(3), 520–538.
DOI
10.1177/10298649231224786
Ning, Z.-Y., Honing, H., van Mil, H., & ten Cate, C. (2024). The role of spectral features and song duration in zebra finch, Taeniopygia guttata, song recognition. Animal Behaviour, 212, 73–91.
DOI
10.1016/j.anbehav.2024.03.011
van der Weij, B., Pearce, M. T., & Honing, H. (2024). Computational Modeling of Rhythm Perception and the Role of Enculturation. In The Oxford Handbook of Music and Corpus Studies. Oxford University Press.
DOI
10.1093/oxfordhb/9780190945442.013.13
2023
Baelemans, M. C. E., Vélez Vásquez, M. A., & Burgoyne, J. A. (2023, October). Defining Playability in Musical Performance: Cognitive Factors and Implications for Automated Song Difficulty Estimation. The 16th International Conference of Students of Systematic Musicology.
Bais, O. B., Bouwer, F. L., & Sadakata, M. (2023, August 24). Exact repetition is not needed for the Speech-to-song transformation.
Bouwer, F., Háden, G. P., & Honing, H. (2023). Probing beat perception with event-related potentials (ERPs) in human adults, newborns, and non-human primates. Center for Open Science.
DOI
10.31234/osf.io/azk9q
Bouwer, F. L., Damsma, A., Burgoyne, J. A., Grahn, J., Slagter, H. A., & Honing, H. (2023). Measuring rhythm and beat perception abilities: a comparison of often-used tests. 688.
Bouwer, F. L., Fahrenfort, J. J., Millard, S. K., Kloosterman, N. A., & Slagter, H. A. (2023). A Silent Disco: Differential Effects of Beat-based and Pattern-based Temporal Expectations on Persistent Entrainment of Low-frequency Neural Oscillations. Journal of Cognitive Neuroscience, 35(6), 990–1020.
DOI
10.1162/jocn_a_01985
Burgoyne, J. A., Baker, D. J., & Honing, H. (2023). What a game can reveal about music perception: A psychometric analysis of the matching pairs game.
Cecchetti, G., Finkensiep, C., Guan, X., Herff, S. A., Fiveash, A., Pelofi, C., & Drury, J. E. (2023). Music Cognition between Theory and Experiment. 38–39. https://cognitivesciencesociety.org/cogsci-2023/
Chittar, C. R., Jang, H., Samuni, L., Lewis, J., Honing, H., Loon, E. E. van, & Janmaat, K. R. L. (2023). Music production and its role in coalition signaling during foraging contexts in a hunter-gatherer society. Frontiers in Psychology, 14.
DOI
10.3389/fpsyg.2023.1218394
Christoph Finkensiep, Matthieu Haeberle, Friedrich Eisenbrand, Markus Neuwirth, & Martin Rohrmeier. (2023). Repetition-Structure Inference With Formal Prototypes. ISMIR.
DOI
10.5281/ZENODO.10265304
Damsma, A., Bazin, P. L. E. A., Kaplan, T., Honing, H., & Bouwer, F. L. (2023). Modelling Flexible Rhythm Prediction in Continuous Time.
Damsma, A., Bouwer, F. L., Kemp, S. A., Grahn, J., Honing, H., & Bazin, P. L. E. A. (2023). Exploring Individual Differences in Structural Connectivity Underlying Rhythmic Abilities.
Eagle, O. M., Mendoza, J. K., Wolf, J. E., Baker, D. J., & Vuvan, D. T. (2023a). Anti-Racism and Equity Panel: How Can Music Science Be More Socially Just? Center for Open Science.
DOI
10.31234/osf.io/qjfpe
Eagle, O. M., Mendoza, J. K., Wolf, J. E., Baker, D. J., & Vuvan, D. T. (2023b). Anti-Racism and Equity Panel: How Can Music Science Be More Socially Just? Auditory Perception & Cognition, 6(3–4), 369–386.
DOI
10.1080/25742442.2023.2236540
Fiveash, A., Ferreri, L., Bouwer, F. L., Kösem, A., Moghimi, S., Ravignani, A., Keller, P. E., & Tillmann, B. (2023). Can rhythm-mediated reward boost learning, memory, and social connection? Perspectives for future research. Neuroscience & Biobehavioral Reviews, 149, 105153.
DOI
10.1016/j.neubiorev.2023.105153
Hiemstra, A., & Sadakata, M. (2023). Examining the Interaction Between Motor Development and Early Violin Learning. String Research Journal, 14(1), 23–39.
DOI
10.1177/19484992231195014
Honing, H. (2023a). Comparative Research on Beat and Isochrony Perception in Primates. 90.
Honing, H. (2023b). Unravelling our capacity for music. Open Science Framework.
DOI
10.17605/OSF.IO/YXFV4
Honing, H. (2023c). Comparative Research on Beat and Isochrony Perception in Primates. https://jsmpc.org/ICMPC17/news/e-proceedings/
Huang, X., Burgoyne, J. A., & Honing, H. (2023). What makes Chinese music memorable to the Chinese? The relationship between familiarity and recognition.
Janssen, B., Burgoyne, J. A., Janulevicius, A., Rot, E., & Honing, H. (2023). An infrastructure for reusable online music experiments. 366.
John Ashley Burgoyne, Janne Spijkervet, & David John Baker. (2023). Measuring the Eurovision Song Contest: A Living Dataset for Real-World MIR. ISMIR.
DOI
10.5281/ZENODO.10265415
Li, J., Baker, D. J., Burgoyne, J. A., & Honing, H. (2023). Is Pitch Information Indispensable for Music Recognition? A Pilot Study Based on a Musical Matching Pairs Game. In M. Tsuzaki, M. Sadakata, S. Ikegami, T. Matsui, M. Okano, & H. Shoda (Eds.), The e-proceedings of the 17th International Conference on Music Perception and Cognition and the 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music (pp. 65–71). The Japanese Society for Music Perception.
Marcel A. Vélez Vásquez, Mariëlle Baelemans, Jonathan Driedger, Willem Zuidema, & John Ashley Burgoyne. (2023). Quantifying the Ease of Playing Song Chords on the Guitar. ISMIR.
DOI
10.5281/ZENODO.10265391
Neuwirth, M., Finkensiep, C., & Rohrmeier, M. (2023). Musical Schemata: Modelling Challenges and Pattern Finding (BachBeatles). In Digital Humanities Research (pp. 147–164). Bielefeld University Press / transcript Verlag.
DOI
10.14361/9783839469132-016
Ning, Z.-Y., Honing, H., & ten Cate, C. (2023). Zebra finches (Taeniopygia guttata) demonstrate cognitive flexibility in using phonology and sequence of syllables in auditory discrimination. Animal Cognition, 26(4), 1161–1175.
DOI
10.1007/s10071-023-01763-4
Sadakata, M., Weidema, J. L., Roncaglia-Denissen, M. P. M., & Honing, H. (2023). Correction: Parallel pitch processing in speech and melody: A study of the interference of musical melody on lexical pitch perception in speakers of Mandarin. PLOS ONE, 18(3), e0283262.
DOI
10.1371/journal.pone.0283262
Scarratt, R. J., Heggli, O. A., Vuust, P., & Sadakata, M. (2023). Music that is used while studying and music that is used for sleep share similar musical features, genres and subgroups. Scientific Reports, 13(1).
DOI
10.1038/s41598-023-31692-8
Spierings, M. J., Dam, N., & Honing, H. (2023). Bird Singalong Project.
2022
Baker, D. J., Li, J., Burgoyne, J. A., & Honing, H. (2022). Would You Like to Participate? Prospects and Pitfalls of Designing Engaging and Intrinsically Motivating Experiments.
Cate, C. ten, & Honing, H. (2022). Precursors of Music and Language in Animals. Center for Open Science.
DOI
10.31234/osf.io/4zxtr
Cecchetti, G., Herff, S. A., Finkensiep, C., Harasim, D., & Rohrmeier, M. A. (2022). Hearing functional harmony in jazz: A perceptual study of music-theoretical accounts of extended tonality. Musicae Scientiae, 27(3), 672–697.
DOI
10.1177/10298649221122245
Damsma, A., de Roo, M., Doelling, K., Bazin, P. L. E. A., & Bouwer, F. L. (2022). Tempo-Dependent Changes in Neural Responses to Rhythm as a Marker of Entrainment.
Honing, H., Bouwer, F. L., Burgoyne, J. A., Sadakata, M., Damsma, A., Baelemans, M. C. E., Janssen, B. D., & Young, Z. (2022). ToontjeHoger: ToontjeHoger is een website met spelletjes die de luisteraar laat inzien dat zij muzikaler is dan je zou denken.
Huang, X., Burgoyne, J. A., & Honing, H. (2022a). The Structure of Musical Preferences Using Chinese Samples.
Huang, X., Burgoyne, J. A., & Honing, H. (2022b). What We Remember is the Prototypical: Pop Music in China from the 1970s to 2010s.
Li, J., Baker, D. J., Burgoyne, J. A., & Honing, H. (2022). The Possibilities and Impossibilities of the Matching-Pairs Game for Music Cognition Research — An Evaluation of a Case Study.
Ning, Z.-Y., Honing, H., & Cate, C. ten. (2022). Zebra finches (Taeniopygia guttata) demonstrate cognitive flexibility in using phonology and sequence of syllables in auditory discrimination. Research Square Platform LLC.
DOI
10.21203/rs.3.rs-2247248/v1
Sadakata, M., Yamaguchi, Y., Ohsawa, C., Matsubara, M., Terasawa, H., von Schnehen, A., Müllensiefen, D., & Sekiyama, K. (2022). The Japanese translation of the Gold-MSI: Adaptation and validation of the self-report questionnaire of musical sophistication. Musicae Scientiae, 27(3), 798–810.
DOI
10.1177/10298649221110089
Shanahan, D., Burgoyne, J. A., & Quinn, I. (Eds.). (2022). The Oxford Handbook of Music and Corpus Studies. Oxford University Press.
DOI
10.1093/oxfordhb/9780190945442.001.0001
Vásquez, M. A. V., & Burgoyne, J. A. (2022). Tailed U-Net: Multi-Scale Music Representation Learning. Zenodo.
DOI
10.5281/ZENODO.7316596
Yamashita, M., Ohsawa, C., Suzuki, M., Guo, X., Sadakata, M., Otsuka, Y., Asano, K., Abe, N., & Sekiyama, K. (2022). Neural Advantages of Older Musicians Involve the Cerebellum: Implications for Healthy Aging Through Lifelong Musical Instrument Training. Frontiers in Human Neuroscience, 15.
DOI
10.3389/fnhum.2021.784026
2021
Burgoyne, J. A., & Koops, H. V. (2021). We are Not Groupies⋯ We are Band Aids’: Assessment Reliability in the AI Song Contest. Transactions of the International Society for Music Information Retrieval, 4(1), 236.
DOI
10.5334/tismir.102
Chen, A., Çetinçelik, M., Roncaglia-Denissen, M. P., & Sadakata, M. (2021). Native language, L2 experience, and pitch processing in music. Linguistic Approaches to Bilingualism, 13(2), 218–237. Portico.
DOI
10.1075/lab.20030.che
Cornelissen, B. J. M., Zuidema, W. H., & Burgoyne, J. A. (2021, November 3). Catafolk: Cataloguing folk music datasets for comparative musicology. https://sites.google.com/view/sysmus21/home?authuser=0
Cornelissen, B., Zuidema, W., & Burgoyne, J. A. (2021). Cosine Contours: a Multipurpose Representation for Melodies. Zenodo.
DOI
10.5281/ZENODO.5624531
Damsma, A., Schlichting, N., & van Rijn, H. (2021). Temporal Context Actively Shapes EEG Signatures of Time Perception. The Journal of Neuroscience, 41(20), 4514–4523.
DOI
10.1523/jneurosci.0628-20.2021
Damsma, A., Schlichting, N., van Rijn, H., & Roseboom, W. (2021). Estimating Time: Comparing the Accuracy of Estimation Methods for Interval Timing. Collabra: Psychology, 7(1).
DOI
10.1525/collabra.21422
Finkensiep, C., & Rohrmeier, M. A. (2021). Modeling and Inferring Proto-Voice Structure in Free Polyphony. Zenodo.
DOI
10.5281/ZENODO.5624430
Goltz, F., & Sadakata, M. (2021). Do you listen to music while studying? A portrait of how people use music to optimize their cognitive performance. Acta Psychologica, 220, 103417.
DOI
10.1016/j.actpsy.2021.103417
Greenfield, M. D., Honing, H., Kotz, S. A., & Ravignani, A. (2021). Synchrony and rhythm interaction: from the brain to behavioural ecology. Philosophical Transactions of the Royal Society B: Biological Sciences, 376(1835).
DOI
10.1098/rstb.2020.0324
Harasim, D., Finkensiep, C., Bigo, L., Giraud, M., Levé, F., Shanahan, D., Sears, D. R. W., & Rohrmeier, M. (2021). Music Cognition: The Complexity of Musical Structure. 35–36.
Herff, S. A., Harasim, D., Cecchetti, G., Finkensiep, C., & Rohrmeier, M. A. (2021). Hierarchical syntactic structure predicts listeners’ sequence completion in music. 43rd Annual Meeting of the Cognitive Science Society (CogSci 2021), 3, 903–909.
Honing, H. (2021a). Unravelling the origins of musicality: Beyond music as an epiphenomenon of language. Behavioral and Brain Sciences, 44.
DOI
10.1017/s0140525x20001211
Honing, H. (2021b). Music Cognition. Routledge.
DOI
10.4324/9781003158301
Honing, H. (2021c). Lured Into Listening. Zeitschrift Für Psychologie, 229(4), 266–268.
DOI
10.1027/2151-2604/a000474
Honing, H., & Cornelissen, B. (2021). What is your position in the BBS discussion on the origins of music/ality? Music Matters.
Kuiper, L., Orken, A., & Burgoyne, J. A. (2021). It’s Beginning to Sound a Lot Like Christmas: Exploring Short- and Long-Term Memory of Christmas Music through an Online Game.
Michalko, A., & Burgoyne, J. A. (2021). Description of Flute Tone Quality: Semantic Labelling of Low-Level Features.
Spijkervet, J., & Burgoyne, J. A. (2021). Contrastive Learning of Musical Representations. Zenodo.
DOI
10.5281/ZENODO.5624573
Terasawa, H., Matsubara, M., Goudarzi, V., & Sadakata, M. (2021). Music in Quarantine: Connections Between Changes in Lifestyle, Psychological States, and Musical Behaviors During COVID-19 Pandemic. Frontiers in Psychology, 12.
DOI
10.3389/fpsyg.2021.689505
2020
Bouwer, F. L., Honing, H., & Slagter, H. A. (2020). Beat-based and Memory-based Temporal Expectations in Rhythm: Similar Perceptual Effects, Different Underlying Mechanisms. Journal of Cognitive Neuroscience, 32(7), 1221–1241.
DOI
10.1162/jocn_a_01529
Cecchetti, G., Herff, S. A., Finkensiep, C., & Rohrmeier, M. A. (2020). The experience of musical structure as computation : what can we learn? [JD]. Rivista Di Analisi e Teoria Musicale : XXVI, 2, 2020, 2.
DOI
10.53152/1032
Cornelissen, B., Zuidema, W., & Burgoyne, J. A. (2020a). Mode classification and natural units in plainchant.
DOI
10.5281/ZENODO.4245572
Cornelissen, B., Zuidema, W., & Burgoyne, J. A. (2020b, October 16). Studying Large Plainchant Corpora Using chant21. 7th International Conference on Digital Libraries for Musicology.
DOI
10.1145/3424911.3425514
Finkensiep, C., Déguernel, K., Neuwirth, M., & Rohrmeier, M. (2020). Voice-leading schema recognition using rhythm and pitch features.
DOI
10.5281/ZENODO.4245482
Harasim, D., Finkensiep, C., Ericson, P., O’Donnell, T. J., & Rohrmeier, M. (2020). The jazz Harmony Treebank.
DOI
10.5281/ZENODO.4245406
Honing, H. (2020a). Are humans the only musical species? The MIT Press Reader.
Honing, H. (2020b). La scimmia batte il tempo: Alle origini della musicalità negli animali e nell’uomo. Carocci Editore.
Jacoby, N., Margulis, E. H., Clayton, M., Hannon, E., Honing, H., Iversen, J., Klein, T. R., Mehr, S. A., Pearson, L., Peretz, I., Perlman, M., Polak, R., Ravignani, A., Savage, P. E., Steingo, G., Stevens, C. J., Trainor, L., Trehub, S., Veal, M., & Wald-Fuhrmann, M. (2020). Cross-Cultural Work in Music Cognition. Music Perception, 37(3), 185–195.
DOI
10.1525/mp.2020.37.3.185
Nieuwenhuijsen, A. N. V., Burgoyne, J. A., Wiering, F., & Sneekes, M. (2020). A simple method for user-driven music thumbnailing.
DOI
10.5281/ZENODO.4245410
Polydorou, D., Ben-Tal, O., Damsma, A., & Schlichting, N. (2020). VR: Time Machine. In Lecture Notes in Computer Science (pp. 294–306). Springer International Publishing.
DOI
10.1007/978-3-030-49065-2_21
Sadakata, M., Weidema, J. L., & Honing, H. (2020). Parallel pitch processing in speech and melody: A study of the interference of musical melody on lexical pitch perception in speakers of Mandarin. PLOS ONE, 15(3), e0229109.
DOI
10.1371/journal.pone.0229109
van der Mijn, R., Damsma, A., Taatgen, N., & van Rijn, H. (2020). Individual optimization of risky decisions in duration and distance estimations. Attention, Perception, & Psychophysics, 83(4), 1897–1906.
DOI
10.3758/s13414-020-02225-6
2019
Damsma, A., Taatgen, N., de Jong, R., & van Rijn, H. (2019). No evidence for an attentional bias towards implicit temporal regularities. Attention, Perception, & Psychophysics, 82(3), 1136–1149.
DOI
10.3758/s13414-019-01851-z
Finkensiep, C., Widdess, R., & Rohrmeier, M. (2019). Modelling the Syntax of North Indian Melodies with a Generalized Graph Grammar.
DOI
10.5281/ZENODO.3527844
Groenveld, G., Burgoyne, J. A., & Sadakata, M. (2019). I still hear a melody: investigating temporal dynamics of the Speech-to-Song Illusion. Psychological Research, 84(5), 1451–1459.
DOI
10.1007/s00426-018-1135-z
Hallez, Q., Damsma, A., Rhodes, D., van Rijn, H., & Droit-Volet, S. (2019). The dynamic effect of context on interval timing in children and adults. Acta Psychologica, 192, 87–93.
DOI
10.1016/j.actpsy.2018.10.004
Honing, H. (2019a). The Evolving Animal Orchestra: In Search of What Makes Us Musical . The MIT Press.
Honing, H. (2019b). How playing music for rhesus monkeys is teaching us about our own brains. Salon .
Honing, H. (2019c). What makes music special to us: Clarifying the differences between what animals and humans hear. Nautilus, 70(2).
Honing, H. (2019d). Muziek is echt geen wondermiddel. Trouw.
Honing, H. (2019e). Der Affe Schlägt den Takt: Musikalität bei Tier und Mensch. Eine Spurensuche. Henschel Verlag.
Honing, H., & Bouwer, F. L. (2019). Rhythm. In P. J. Rentfrow & D. J. Levitin (Eds.), Foundations in Music Psychology (pp. 33–69). The MIT Press.
Koops, H. V., de Haas, W. B., Burgoyne, J. A., Bransen, J., Kent-Muller, A., & Volk, A. (2019). Annotator subjectivity in harmony annotations of popular music. Journal of New Music Research, 48(3), 232–252.
DOI
10.1080/09298215.2019.1613436
2018
Bouwer, F. L., Burgoyne, J. A., Odijk, D., Honing, H., & Grahn, J. A. (2018). What makes a rhythm complex? The influence of musical training and accent type on beat perception. PLOS ONE, 13(1), e0190322.
DOI
10.1371/journal.pone.0190322
Damsma, A., van der Mijn, R., & van Rijn, H. (2018). Neural markers of memory consolidation do not predict temporal estimates of encoded items. Neuropsychologia, 117, 36–45.
DOI
10.1016/j.neuropsychologia.2018.04.039
Finkensiep, C., Neuwirth, M., & Rohrmeier, M. (2018). Generalized Skipgrams for Pattern Discovery in Polyphonic Streams.
DOI
10.5281/ZENODO.1492473
Gingras, B., Honing, H., Peretz, I., Trainor, L. J., & Fisher, S. E. (2018). Defining the Biological Bases of Individual Differences in Musicality. In The Origins of Musicality (pp. 221–250). The MIT Press.
DOI
10.7551/mitpress/10636.003.0015
Honing, H. (2018a). Aap slaat maat: Op zoek naar de oorsprong van muzikaliteit bij mens en dier. Nieuw Amsterdam.
Honing, H. (2018b). Musicality as an upbeat to music: Introduction and research agenda. In H. Honing (Ed.), The Origins of Musicality (pp. 3–20). MIT Press.
Honing, H. (Ed.). (2018c). The Origins of Musicality. The MIT Press.
Honing, H. (2018d). On the biological basis of musicality. Annals of the New York Academy of Sciences, 1423(1), 51–56. Portico.
DOI
10.1111/nyas.13638
Honing, H., Bouwer, F. L., Prado, L., & Merchant, H. (2018). Rhesus Monkeys (Macaca mulatta) Sense Isochrony in Rhythm, but Not the Beat: Additional Support for the Gradual Audiomotor Evolution Hypothesis. Frontiers in Neuroscience, 12.
DOI
10.3389/fnins.2018.00475
Jaschke, A. C., Honing, H., & Scherder, E. J. A. (2018a). Longitudinal Analysis of Music Education on Executive Functions in Primary School Children. Frontiers in Neuroscience, 12.
DOI
10.3389/fnins.2018.00103
Jaschke, A. C., Honing, H., & Scherder, E. J. A. (2018b). Exposure to a musically-enriched environment; Its relationship with executive functions, short-term memory and verbal IQ in primary school children. PLOS ONE, 13(11), e0207265.
DOI
10.1371/journal.pone.0207265
Roncaglia-Denissen, M. P., Bouwer, F. L., & Honing, H. (2018). Decision Making Strategy and the Simultaneous Processing of Syntactic Dependencies in Language and Music. Frontiers in Psychology, 9.
DOI
10.3389/fpsyg.2018.00038
Schlichting, N., Damsma, A., Aksoy, E. E., Wächter, M., Asfour, T., & van Rijn, H. (2018). Temporal Context Influences the Perceived Duration of Everyday Actions: Assessing the Ecological Validity of Lab-Based Timing Phenomena. Journal of Cognition, 2(1).
DOI
10.5334/joc.4
Smit, E. A., & Sadakata, M. (2018). The effect of handedness on spatial and motor representation of pitch patterns in pianists. PLOS ONE, 13(5), e0195831.
DOI
10.1371/journal.pone.0195831
Thorin, J., Sadakata, M., Desain, P., & McQueen, J. M. (2018). Perception and production in interaction during non-native speech category learning. The Journal of the Acoustical Society of America, 144(1), 92–103.
DOI
10.1121/1.5044415
2017
Damsma, A., & van Rijn, H. (2017). Pupillary response indexes the metrical hierarchy of unattended rhythmic violations. Brain and Cognition, 111, 95–103.
DOI
10.1016/j.bandc.2016.10.004
Honing, H. (2017). Wat is een absoluut gehoor en is het erfelijk? In B. de Graaf & A. Rinnooy Kan (Eds.), Hoe zwaar is licht (pp. 74–76). Uitgeverij Balans.
Janssen, B., Burgoyne, J. A., & Honing, H. (2017). Predicting Variation of Folk Songs: A Corpus Analysis Study on the Memorability of Melodies. Frontiers in Psychology, 8.
DOI
10.3389/fpsyg.2017.00621
Korsmit, I. R., Burgoyne, J. A., & Honing, H. (2017). If You Wanna Be My Lover … A Hook Discovery Game to Uncover Individual Differences in Long-term Musical Memory. In E. Van Dijck (Ed.), Proceedings of the 25th Anniversary Conference of the European Society for the Cognitive Sciences of Music (pp. 106–111). Ghent University.
Mooren, N., Burgoyne, J. A., & Honing, H. (2017). Investigating grouping behaviour of dancers in a silent disco using overhead video capture. In E. Van Dijck (Ed.), Proceedings of the 25th Anniversary Conference of the European Society for the Cognitive Sciences of Music (pp. 142–149). Ghent University.
Ravignani, A., Honing, H., & Kotz, S. A. (2017). Editorial: The Evolution of Rhythm Cognition: Timing in Music and Speech. Frontiers in Human Neuroscience, 11.
DOI
10.3389/fnhum.2017.00303
van der Weij, B., Pearce, M. T., & Honing, H. (2017). A Probabilistic Model of Meter Perception: Simulating Enculturation. Frontiers in Psychology, 8.
DOI
10.3389/fpsyg.2017.00824
Vaquero Patricio, C., Titov, I., & Honing, H. (2017, July 31). What score markings can say of the synergy between expressive timing and loudness.
2016
Bouwer, F. L. (2016). What do we need to hear a beat? The influence of attention, musical abilities, and accents on the perception of metrical rhythm [Phdthesis]. Universiteit van Amsterdam.
Bouwer, F. L., Werner, C. M., Knetemann, M., & Honing, H. (2016). Disentangling beat perception from sequential learning and examining the influence of attention and musical abilities on ERP responses to rhythm. Neuropsychologia, 85, 80–90.
DOI
10.1016/j.neuropsychologia.2016.02.018
Cornelissen, B., Sadakata, M., & Honing, H. (2016). Categorization in the Speech to Song Transformation (STS). Proceedings of the 14th International Conference on Music Perception and Cognition, 386.