Programming style

This work covers the appropriate use of functional and object-oriented programming styles in Lisp programming for computer music and music cognition, so as to fully benefit from their abstraction mechanisms.

Articles

• Desain, P. , & Honing, H. (2002) Rhythmic stability as explanation of category size. Proceedings of the International Conference on Music Perception and Cognition. Sydney: UNSW. (CD-ROM).
• Desain, P., Honing, H. (1997) CLOSe to the edge? Advanced object oriented techniques in the representation of musical knowledge. Journal of New Music Research, 2, 1-16. ISSN: 0929-8215.
• Desain, P., & Honing, H. (1994). CLOSe to the edge? Advanced object oriented techniques in the representation of musical knowledge. (Research Report CT-94-13). Amsterdam: Institute for Logic, Language and Computation (ILLC).
• Desain, P., & Honing, H. (1993). Lisp programming for computer music. (Tutorial notes International Computer Music Conference). Tokyo: Waseda University.
• Desain, P., & Honing, H. (1993). CLOSe to the edge? Multiple and mixin inheritance, multi methods, and method combination as techniques in the representation of musical knowledge. In Proceedings of the IAKTA Workshop on Knowledge Technology in the Arts. 99-106. Osaka: IAKTA/LIST.
• Desain, P. (in preparation). Lisp as a second language: composing programs and music Lisse:Swets & Zeitlinger.
• Desain, P. (1991). Parsing the parser. A case study in programming style. Computers in Music Research, 1(2), 39-90.
• Desain, P. (1990). Lisp as a second language: functional aspects. Perspectives of New Music, 28(1), 192-222.