Music Representation

The representation of temporal structure is the primary focus of this line of research.

• Honing, H. (1998) Vergelijking Midi-files. Deskundige Rapport. Nijmegen.
• Honing, H. (2001) From time to time: The representation of timing and tempo. Computer Music Journal, 35(3), 50-61.
• Honing, H. (1993). Report on the International Workshop on Models and Representations of Musical Signals, Capri, Italy, 1992. Computer Music Journal, 17(2), 80-81.
• Honing, H. (1993). Issues in the representation of time and structure in music. Contemporary Music Review, 9, 221-239.
• Honing, H. (1993). A microworld approach to the formalization of musical knowledge. Computers and the Humanities, 27, 41-47.
• Honing, H. (1991). Music and the representation of structure: from issues to microworlds. Unpublished doctoral dissertation, City University, London.
• Desain, P. and Thienen, H. van. (1997) Deutsch & Feroe Formalized. In European Mathematical Psychology Group Conference. 18. Nijmegen.
• Desain, P., Honing, H. (1997) CLOSe to the edge? Advanced object oriented techniques in the representation of musical knowledge. Journal of New Music Research, 2, 1-16. ISSN: 0929-8215.
• Desain, P., & Honing, H. (1993). Lisp programming for computer music. (Tutorial notes International Computer Music Conference). Tokyo: Waseda University.
• Desain, P., & Honing, H. (1993). CLOSe to the edge? Multiple and mixin inheritance, multi methods, and method combination as techniques in the representation of musical knowledge. In Proceedings of the IAKTA Workshop on Knowledge Technology in the Arts. 99-106. Osaka: IAKTA/LIST.